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Four movements of fun and energetic pieces written in the tradition
of old-world composers with form and balance. The ideal composition
to beef up the best of any trio program. Symphonette in C PROGRAM NOTES: Symphonette in C began as a sight-reading exercise for guitar
trio, hence, the simplicity in the two middle movements. The two
outer movements were quickly added to fulfill the potential for
a collection. In addition to it’s contrapuntal quality and
large repeat of the subject and development, movement one concludes
with a renaissance ending in the dominant key. The final movement
uses techniques and rhythmic material from each of the preceding
movements and introduces a fourth and fifth voice within the last
five measures for a well rounded conclusion. The composer suggests
that the Fantasia, Rondo and Finale be performed with brisk tempos,
while the Serenade opposes the others with a moderately slow,
lyrical approach. |
IV. Finale 
II. Fantasia
IIV. Finale |
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